Saturday, November 14, 2009

I'm Dreaming of THE White Christmas.



Irving Berlin's - White Christmas (1954)
Starring: Bing Crosby, Danny Kaye, Rosemary Clooney, & Vera Ellen.

Running Time: 120 minutes

If you just saw those three lines at the video store or on Netflix you might think, "Wow, a Christmas movie starring that cast? How can I go wrong?" ... and you'd be right! "White Christmas" is a staple of holiday cinema, surrounded by the likes of "It's A Wonderful Life", "Miracle on 34th Street", and "A Christmas Story".

So, you would think that an adaptation of White Christmas for the stage would be just as heartwarming and full of holiday cheer? Well sadly, this performance was more like Christmas in July.

A disclaimer: I am in no way trying to be a Grinch here. I love Christmas. I am the person who listens to Christmas music in mid-November and has been thinking about holiday plans since Halloween. I hold Christmas in regard not as just a secular or religious holiday, but as a time of year when people are and can spread happiness, regardless of the rough situations we all face. White Christmas is one of my favorite movies because of that. It starts in one of the worst places to be on Christmas, the midst of a war zone. Yet, they're trying to keep their spirits up because its Christmas, and despite everything, they're ALIVE. So you know, I wanted this to be great. Did I expect some changes for the stage? Of course, but not to the extent that I saw tonight.

If you have, or are considering purchasing tickets to White Christmas at the Aronoff Theater in Cincinnati, I'd suggest you read this review. Distinct changes were made for the stage version that may disappoint or put-off the purist expecting a near-movie adaptation.

There were two big changes I'm going to highlight (for the sake of efficiency): Cast importance and song choice.

Cast importance:
The top four characters on the bill (Bob, Phil, Betty, and Judy) are on the top for a reason: they are the performers who's storylines need the most detail and time. In addition, they generally perform the most because they're the main characters. This holds true for the movie of White Christmas, but not the stage performance. The focus on the main four characters constantly shifts away to the General, his granddaughter, and his nosy-concierge, Martha.
All three characters now sing. Martha, played by a shrill Lorna Luft has three numbers, including a solo number! These numbers are bearable at best because she sings in her character's voice, which is neither funny nor impressive.
The General is played as a boisterous and slightly overweight blow-hard; instead of a calm, steely, but respectful commander. Also, after the general gets turned down from the army, he writes the president and gets reinstated. This detail only confuses things and adds a ton of dialogue to the final speech he gives to his "men".
Finally, the general's granddaughter is no longer a teenager, but a loud mouth child with her own superfluous plot line about writing a history paper that only exists to fill time. She also annoyingly tries to horn into the show Bob and Phil are putting on. Sadly, the audience endures a performance by this girl, leaving us all to wonder why?
Oh, and I almost forgot, there are more unnecessary characters! There's a "flaming" show director who works for Wallace and is constantly yelling. There's a rotund "country bumpkin" who works as stage hand for the show director and exists to get yelled at. Both are slightly offensive stereotypes, but no one seems to mind. They also have a back-and-forth with the show director and bumpkin whereby the director yells at him; the bumpkin takes a while to respond with a slow drawl, "Yes'm." This is apparently funny, and so it's used multiple times.

Song Choice:
White Christmas is a musical movie. IT ALREADY COMES PACKED WITH SONGS. Now, for those of you who don't know, the song "White Christmas" actually comes from an earlier Irving Berlin movie, "Holiday Inn" It's debut was so popular that it basically moved the studio to make a movie highlighting the song. But, that is not the only song in the movie. No, a great number, "Count Your Blessings Instead of Sheep" is also in the movie. This song was immensely popular for the time. Thankfully, both these songs stayed in. However, some songs, like "Choreography" are cut for other Irving Berlin songs. These full songs, such as "Blue Skies", are good numbers but feel completely out of place. These cuts and replacements feel even worse when the classic songs are either cut short, or sung by different cast members. For example, "What Can You Do With A General?" is sung by Bob, Phil, and Martha the concierge. It completely loses its message and falls away unnoticed. Another huge example of poor song choice is the performance of "Falling Out Of Love Can Be Fun." Again, Martha is in this number for some reason, and the use of this song makes Betty's leaving for New York a jaunty scene, instead of something sad and bittersweet.
Once again, I'll state: WHITE CHRISTMAS COMES PACKED WITH SONGS. Frankly, for an adaptation to stage, they shouldn't have had to change anything. But they did, and they changed the most pivotal song of all. White Christmas is supposed to end with its namesake song, as the barn doors open and snow falls. The two couples find each other, and the Inn is a success. Instead, we have the General come out to find the troops, sing a few bars of "Counting Your Blessings" (yes, it's awful), and then Bob asks the audience to sing along to White Christmas. Finally, the curtain pulls back and it looks almost the same. They open the barn doors on the last lines and we see its snowing. They all take their bows and then move into "I've Got My Love To Keep Me Warm." Snow begins to fall from the ceiling (fake snow, but a cool effect.) They sing that song in its entirety, wave goodbye, and the curtain drops.
If this sounds odd, it was. The couple next to me actually said, "What?" The whole execution of the pivotal White Christmas song was poorly timed. I'd like to think this was all a tech thing, but it seemed deliberate. Why end with a different song, and not make snow fall during White Christmas? When I watch the movie, I'm consistently left with the warm feeling of the holidays even though I know what's coming... because its executed perfectly. The song builds, the snowfall is revealed, everyone's happy. This was so disjointed, I left feeling unimpressed.

--

I can't help but wonder if all the unnecessary changes, rearranges, and additions were made for the sake of adding time and giving more songs to the actors who don't sing. The stage performance is a half an hour longer than the film and I can only think that in order to find spots for more songs, they had to make up plot changes concerning the general, his granddaughter, and Martha. These changes all affected the four main characters, causing cuts of great songs while adding ones that weren't nearly as well known. To try and make things clear, minor characters end up with more lines and songs, leaving major characters undeveloped.
Now, I realize I sound like I am merely complaining that "things changed" but its something more than that. The distinct holiday feeling you leave with when you see the movie is completely lost in this stage adaptation. If you're a purist like myself, you end up being confused the whole time as to why changes and re-arrangements were made. If you're not a purist, or haven't even seen the movie, you'll likely be equally confused because so much has been changed or removed that the plot doesn't make complete sense. Overall, the singing and dancing of the main characters were good, especially the woman playing Betty (Kerry O'Malley). [It's hard to compete with Rosemary Clooney, but she did.] In fact, the caliber of the main actors makes it a real shame that the adaptation is so poor. They only had to follow the movie near-verbatim and the actors would have carried it beautifully. However, the whole performance seemed to be a victim of unnecessary change.

The point is, you'll likely leave the Aronoff this holiday season disappointed or confused if you go see White Christmas. While talking with my equally confused family, I likened it to going to a fancy, authentic Italian restaurant and then being served Olive Garden. Sure they're similar, but a lot of the details are different... and those details are what make the experience immersive and satisfying.

My suggestion: Save yourself the money and instead gather your family, make hot chocolate and cookies, and watch the DVD of this holiday classic. I guarantee that the experience you get from just being together and seeing this classic in its original form will bring you far more holiday spirit.




Friday, November 13, 2009

Lego Sushi


02
Originally uploaded by
"Big Daddy" Nelson
Redefining Dining? I'd say so.

I was cruising for dining inspiration and found this awesome piece.
Lesson: Make food a play thing and have some fun with it.

[Photo credit to
"Big Daddy" Nelson, one of the cleverest lego fans out there. Be sure to check out his many sets on flickr.]

Wednesday, November 11, 2009

Storyboarding Workout

Here's the first run of my storyboards explaining the problems of the executive office, and the solutions I intend to bring with my designs.

Problems:



Improvements for the revision: Do every problem panel just like the three on the right: dramatic angles, vivid colors, and contrast to evoke emotion. The panels on the left were digitally painted from photos/pieces of photos like the ones on the right... but those left-side photos weren't so great. Ideally, the problem panels should look emotional and real because they address real human problems.



Solutions:



Improvements for the revision: Add silhouettes of people/actions where sparkles are in the images. Also, the imagery will be taken from renders of the final models.

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As always, critiques and comments are welcome, leave them below!

Industrial Design Limericks

Inspired by Douglas Bonneville's great post on Bonfx of Graphic Design limericks, I thought we should try our hand at some for I.D. To get us started, I'm sure we can relate to one of his Graphic Design limericks about Adobe:

There was an “Adobe Updater”
Who’s button said “Update me later”.
Whenever we’d work,
It popped up like a jerk.
And so we are “Updater” haters!


So leave your Industrial Design limericks in the comments below or tweet them to me! (
@brandonleedy) As soon as I see them, I'll add you to this post! Also, be sure to give a screen name or a link to your site so I can give you credit!

-------------------------------
As I think of limericks, or people send them in, I'll post them here!

There once was a designer named Chad,
whose only design tool was CAD.
When asked to sketch,
an excuse he'd stretch,
and claim that he forgot his pad.

-@brandonleedy, 11/11/09


There once was a designer named Jonny,
whose godly designs were all bonny.
But they weren't from a chapel,
for with Steve Jobs he'd grapple;
You see, Jonny designed things for Apple.

-@brandonleedy, 11/11/09


Here's a great one from Douglas of bonfx.com!
He's the guy who inspired the search for I.D. Limericks!


There was an ungainly device,
Whose buttons were not very nice.
A cost saving trick
Made the buttons not click,
But certainly lowered the price.

-Douglas, bonfx.com, 11/13/09



Sunday, November 8, 2009

Define Design

Our design communication teacher, Michael Roller has prompted us in class to give our interpretation of three widely-used, but vaguely defined concepts. They are as follows:

Good Design -

What is "good design"? Honestly? "Good Design" is not enough. "Good Design" loses. Right now, as students, we do "good design". Occasionally we do great design. "Good Design" is settling. Great design is crushing it. Great design is patience, its thoroughness, and its thoughtfulness. Great design surprises the user and leaves them not wanting more, but wanting to give and share.

Innovation -

What is "innovation"? Innovation is learning to connect. People think innovation is creating something amazingly new and never before seen. Innovation is not magic, its not like the iphone or the internet was made of something never before seen... it was taking existing technology and just connecting it. Innovators are the people who look at the world and say "there is a need -here- that can be filled with -this- and I will get it to them -this way-" The best innovators, however, look at the world and say "there WILL be a need -here- that WILL be filled with -something like this- and I will create all of it."

Design Thinking -

Design Thinking is the use of the creative process to solve problems in the real world. Design Thinking is a process that looks at the existing problem and uses creative iteration to solve that problem. Design Thinking to me, is "innovation lite". Where innovation says, "I'm going to make something new to create connections"... design thinking says, "I'm going to find what already exists to create the most efficient solution right now." This is just my opinion, but I consider design thinking as a way to hit par. Sure it will succeed / make money, but it will soon fall behind because of innovators. Design thinking will get you to "good design", innovation will get you "great design."

Levi's - USB Final Renders

Spring-boarding off of the last USB Visualization project, we continued to make a sketch render and final render of one of our concepts. I've continued development on my previously posted, "With Denim" high-end set of flash drives.

Here's the sketch render:



...and here's the final render:



Notes for the future: find a better way to make rubber texture and use less detailed textures on the sketch render. I spent nearly the same amount of time on the sketch render as the final render (which frankly, defeats the purpose of the sketch render). Onwards and upwards, to more improvements.

Comment and critiques are welcome below, Thanks.

Cinematic Storyboarding - El Coro

In a previous post I mentioned a member of Massive Black Inc. named El Coro.

El Coro, (Justin Kaufman) is one of my favorite concept artists from Massive Black. I purchased his cinematic storyboarding tutorial last Christmas and Coro's personality and style really made an impression on me. He has this ability to be loose and fast, yet capture an great amount of detail and value in his storyboarding. I tend to draw and ideate in a state where I can't seem to move fast enough. I sometimes obsess over little details and therefore lose the big picture. Coro's ability to quickly block out value is something I envy and I'm currently trying to emulate in our current storyboarding project. In addition, his use of dramatic angles and lighting really draws the viewer into every panel and motivates them to continue viewing. Just check out some of the storyboards from the tutorial below:






I would again suggest those in I.D. who want some amazing help with their storyboarding to check out Coro's tutorial, its well worth it. Not only do you get to watch how he lays it down, but he narrates his technique and gives great "from the gut" commentary about creating.

The trailer for his tutorial below has a great quote at the end I think we all can learn from...



... as much as I have said that criteria or boundaries from the client can help give you motivation to push higher, convention is something different. Convention is not why you do something, its the how. If you approach every problem the same way, with the same method, you'll inevitably come up with failure or the same boring solution. In my case, watching this tutorial reminded me that I can't approach storyboarding in the same way I approach product sketching, because I'm looking for different solutions. More to come on storyboarding...

...till then, comment below, thanks.
 

Brandon Leedy - Industrial Design Blog © 2008.